“Even people of slight build can penetrate the secrets of Daito Ryu Aikijujutsu. This is because one who uses only muscular effort can be defeated by one who understands the principles of Kuzushi (balance breaking). In this way, it is possible for one to turn a potentially dangerous situation to one’s own advantage.”
(From: “Article on the sword arts of the Aizu Clan.” From “Tales of Bushido Told by Firelight.”)
To explain the above statement further, Daito Ryu consists of a unique collection of waza (techniques) including:
“Soft” techniques (techniques that require a minimal use of force), joint techniques, special strikes to vital points of the body (Atemi), “hard” techniques, and so forth.
The arts of Takeda Sokaku have had a long held reputation for being too “rough” and many people, especially women, disliked its practice. In particular, Morihei Ueshiba’s Aikido, as a “soft ” style, has gained a great many practitioners across the world.
Daito Ryu consists of Ju-Jutsu and also “Aikijujutsu”, which was practiced within the Aizu clan as a special type of self-defense that belonged to a group of techniques known as “O-Shiki-Uchi” (“Great teachings within the room”)
Muden Juku practices this type of Bujutsu. Training in Aikijujutsu develops a high level of self-defense ability and leads to a more refined spirit and upright character.
Because Aiki techniques do not require great physical effort to execute, men and women can enjoy its practice. It is a suitable physical practice for the very young and old.
This is possible because even the most subtle twist of a child’s hand or sudden application of a technique can overcome an attacker if one knows how and when to apply it. Because of this, Daito Ryu can be considered one of the most suitable arts for all ages and types of people.
By the time they each the level of third Dan, most practitioners are able to attain a softness and smoothness like that of silk when performing techniques. The principle in Judo that “softness overcomes hardness” reflects this level of attainment. This quality of “soft” Aiki is also good for a healthy, relaxed body.
People who train to this level can spread this “soft Aiki” far and wide.
This shows Shunsuke Yoshioka (8 years old) performing a Daito Ryu technique.
It looks as if he is doing nothing, but this is actually authentic Daito Ryu Aiki in action!
This is owned by
Daito ryu Aikigoshin jutsu Muden juku
Authentic Japanese Bujutsu
Examining myself while undergoing the shugyo of Daito Ryu, I reflect on Kodo Horikawa, shihan and eternal master (eiseimeijin) and ask: What is the transmission of the aiki tradition?
There are many groups (kaiha) around the world who talk about Aiki. But not many people can demonstrate it. Iida Sensei is one of the few who can. But why is this? And why are there so many who can’t use Aiki? To understand the answer, we need to understand the difference between Muden Juku practice methodology (Ryu gi) and others. This means thinking deeply about Sensei’s words and how his technique and teaching emerged from his background. You must feel, listen and consider all of this. Usually, people only evaluate something according to their own experience and level of knowledge, but in Muden Juku practice, you must always ask: “Why does sensei say that? Why is he teaching in that manner, and how is it different to my understanding?” If I cannot get a clear answer for these questions immediately, I adhere faithfully to sensei’s teaching method and style of practice. I trust this teaching until such a time as that I am able to grasp the teaching with my body and mind.
This is difficult, but it is the only way to understand sensei’s mind, or to grasp his kokoro. And this is the also the quickest way to understand Aiki. Iida sensei’s model was Kodo Horikawa sensei, both in his techniques and his philosophy. Iida Sensei examined himself objectively during harsh training environment at the kodokai (the name of the daito Ryu group established by Horikawa) for a long time. He endured shugyo with modesty and always tried to adhere to the essence of what was Horikawa’s technique and philosophy. Also, he never allowed himself to add his ego to the techniques or tried to invent his own “style” of doing the techniques. This is why, through his extraordinary efforts, Iida Sensei managed to develop a phenomenal level of Aiki that has become his way of life.
If Sensei only mimicked Kodo’s techniques, he would not have been able to grasp the essence of Aiki. Iida Sensei is still practicing after over half a century of practice. Iida sensei’s saying about this is one must “win through losing”. This does not mean to give up and accept defeat. Its true meaning is: even if you can’t do it now, believe in yourself, don’t lie to yourself, and trust in the practice method and strive to understand the essence of Aiki. Even if others sneer at your practice or have no idea of what Aiki is, just do the practice (keiko) over and over. This is the secret of the constant development of Sensei’s Aiki.
Most people have their own opinions about martial arts (Bujutsu/Budo); that they should look graceful or be practical and dynamic. I have some experience of Budo myself, and I understand that it is easy to make my practice suit the demands of my ego, such as making me strong, to hate losing, also to gain a reputation and be respected by others. This kind of thinking also affects one’s attitude about the future, making one afraid of making a mistake, or making the wrong decision. One’s mind becomes a calculating mind weighing up profit and loss. But nothing is certain, so this also creates feelings such as frustration, confusion and fear. If you are in this mindset, you cannot see the essence of Aiki. This is very important. If you just hanker after Horikawa and Iida Sensei’s techniques, and add your own ego’s understanding to the techniques, you will never understand their kokoro. You would then develop along a completely different line. Following that line, you will never develop Aiki, no matter how hard, or for how long you practice.
“The Kokoro and not just the techniques must be transmitted.”
Tradition is not embodied in a name, a grade or a certificate. I know many people who thought “I’ve got Aiki”, when they received a grade or a menjo (certificate). They didn’t realise that they had not received the Kokoro. Iida sensei has kept the style (Ryu gi). In this practice you can receive both the techniques and the essence of Kokoro.
In order to do this practice, I have prepared myself to fulfil my responsibilities for receiving the transmission in releasing all negative thoughts of the past and all worries about the future. This way, I can live in the ‘now’ and concentrate on the practice of both mind and body that constitute and develop Aiki. I appreciate that I must learn both the spirit and the techniques from the lineage of Horikawa to Iida, and I will keep learning this proudly and modestly.